Either that or lacking guidance, fall into bad habits which practice simply reinforces and which are then very difficult to correct. For any guitarist at any level, the benefits of a good teacher are tremendous it is all too easy, as I know myself, to reach a plateau where you can kind of play lots of things but nothing really well. This combination of technical analysis with musical sensibility I found inspiring and it propelled me to levels in guitar playing, which I would never have dared to attempt otherwise. Peter's teaching practice, therefore moves on a broad front where the inevitable technical challenges involved in playing the guitar are combined with musical insight and encouragement into what is to be gained by overcoming them. He then backs that up with an acute ability to identify and analyse technical problems and how to deal with them. Peter has many talents as a teacher of which for me the most important is that he wants you to succeed. I can recommend Peter unreservedly as an exceptional teacher with a rare breadth of experience of the guitar in all its genres combined with an equally rare equivalent breadth of musicianship and scholarship. I have been a student of Peter's for a total of seven years spread over twenty-five years, first of the classical guitar and latterly of the baroque lute.
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